Nought is a complex choreographic investigation and part of my personal development as a choreographer. Focusing on structure, formula, synchronicity and intricate detail within a choreographed space and score, I have immersed myself and the dancers in a process which strips away any sense of individualism and celebrity to reveal elemental technique and the power of the interactions between these things.
Numerical logic has formed the ‘script’ for this work. It demands the dancers invest wholly to the works physical and intellectual requirements. Coordinating miniature detail within and between different spaces and rhythmical timings, the dancers are without the usual security of music. It is a large choreographed game of Jenga.
The work coordinates movement with other movement akin to the logical interactions of numbers or elements when placed next to or